SensaCine adapta la calificación de cada medio con una puntuación de 0.5 a 5 estrellas.
críticas de medios
Rolling Stone
por David Fear
"Bonnie y Clyde...¿quiénes? Conoce a los hombres que los mataron."
La crítica completa está disponible en la web Rolling Stone
New York Times
por Manohla Dargis
"Esta no es especialmente una buena película...pero es coherente."
La crítica completa está disponible en la web New York Times
Variety
por Joe Leydon
"Se apoya completamente en la química generada por Costner y Harrelson para mantener nuestro interés."
La crítica completa está disponible en la web Variety
RogerEbert.com
por Brian Tellerico
"Emboscada Final te recuerda que el arte no puede ser el correctivo para otro arte." The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art.
La crítica completa está disponible en la web RogerEbert.com
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SensaCine México
Rolling Stone
"Bonnie y Clyde...¿quiénes? Conoce a los hombres que los mataron."
New York Times
"Esta no es especialmente una buena película...pero es coherente."
Variety
"Se apoya completamente en la química generada por Costner y Harrelson para mantener nuestro interés."
RogerEbert.com
"Emboscada Final te recuerda que el arte no puede ser el correctivo para otro arte." The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art. The Highwaymen reminds one that good art can't be made as a corrective to other art.